lucio fontana ceramics

November 2020 – Samstag, 20. This work is registered in the Fondazione Lucio Fontana, Milan under no. A total of about fourty pieces will be shown in the context of Fontana’s avant-garde oeuvre, including ceramic sculptures and so-called Concetti spaziali (“spatial concepts”) as well as works on paper known as Ambienti spaziali. GALERIE KARSTEN GREVE PARIS 5, rue Debelleyme 75003 Paris France Google Maps +33 (0)1 42 77 19 37 info@galerie-karsten-greve.fr Tuesday – Saturday 10 am – 6 pm. The Aspen Art Museum is a non-collecting institution presenting the newest, most important evolutions in international contemporary art. PRESS RELEASE Galerie Karsten Greve is pleased to present Ceramics, an exhibition on the ceramic works of avant gardist Lucio Fontana (1899-1968). This direct, forceful manipulation of the purity of the surface also prefigures the violence of the Concetti Spaziale. Lucio Fontana (Italian: ... Fontana had found his studio and works completely destroyed in the Allied bombings of Milan, but soon resumed his ceramics works in Albisola. The first major survey of Lucio Fontana (1899–1968) in the United States in more than forty years, this exhibition reexamines the career of one of the most innovative artists of the twentieth century. Lucio Fontana (Italian: [ˈluːtʃo fonˈtaːna]; 19 February 1899 – 7 September 1968) was an Italian painter, sculptor and theorist of Argentine birth. The surface of the sculpture reveals the artist's hand, with visible marks indicating the development of the form. Courtesy of Galerie Karsten Greve. In Milan, he collaborated with noted Milanese architects to decorate several new buildings that were part of the effort to reconstruct the city after the war. Lucio Fontana On the Threshold. Figure Nere (Black Figures) Figure Nere is an example of Fontana's early ceramic sculpture, featuring a rough-hewn, rectangular terra-cotta slab with two black silhouetted figures, a taller one behind a shorter figure in the front. On Lucio Fontana's little-known engagement with ceramics. Immaterial: Lucio Fontana Ceramics. Lucio Fontana, "Spatial Design" Painting, circa 1968, Italy, circa 1968 Lucio Fontana, Big Photography, Italy, circa 1962 Selection of Modernist Ceramic Plaques Osvaldo Borsani Unique Piece Reversed Painted Glass Table, ABV 1950 Italy Lucio Fontana Ceramics is the eighth one man show to open at Karsten Greve’s Cologne gallery. As evidenced by the bulging of the draped loincloth of Christ and the sweeping folds of the robe, Lucio Fontana processed the clay with a view to spatial expansion in a baroque style. LUCIO FONTANA – CERAMIC WORKS With his spatial concepts and his redefinition of specific materials and dimensions, Argentinian-Italian artist Lucio Fontana (1899-1968) is one of the most distinctive and popular artist personalities of post-war modernism. LUCIO FONTANA, CAROLINE ACHAINTRE, IVAN SEAL A Conversation about Ceramics. The series of polychrome ceramic sculptures that Lucio Fontana made in that period include two popular figures from the Italian Commedia dell’arte, Arlecchino and Colombina, terracotta sculptures that almost dissolve in their terpsichorean representation of movement. LUCIO FONTANA Ceramics. You can also read the blog on Fontana and two videos are posted below. Lucio Fontana Concetto spaziale (Spatial Concept) Vase, 1953 Terracotta, hight 50 x 30 cm Colection of Luigi Grampa, Busto Arsizio. May 12 - September 24, 2016, Milano. As the founder of a revolutionary technique called Spazialismo, or Spatialism, Fontana was deeply concerned with the practical ways of making art that confronted the mysterious properties of space. Flash ArtModern SculptureContemporary … We are available by phone and email for for orders and pickups at any time. The appropriation of space based on expressive, dynamic gestures manifests itself in the upward movement of the figures in the group of works known as Crocifissi (Crucifixes) and Crocifissioni (Crucifixions). Given the sculptural properties of his famous slashed canvases, it is perhaps little wonder that Lucio Fontana (1899-1968) began his career as a sculptor. In 1947, Lucio Fontana returned to Milan, where he founded the „Movimento spaziale“ group of artists, published two manifestos of Spazialismo, and went on to become one of the most distinguished avant-garde artists of the first post-war generation. From this time forth, the artist was to refer to his works by the title of Concetto spaziale. From 1939, he lived in Argentina again, and, after settling in Buenos Aires in 1940, Fontana became a teacher at the Altamira art school. Exhibition Catalogue "Lucio Fontana" at Sperone Westwater, New York, 16 Feb - 1 April, 2000. He was mostly known as the founder of Spatialism . Photo: Christopher Clem Franken. During this period, he worked on the Manifiesto Blanco, in which he called for a synthesis of the arts and the abolition of conventional materials, propagating the dimensions of time and movement in space instead. Lucio Fontana, “Crocifisso” (1950–55), polychrome ceramics, 14 1/4 x 7 2/3 x 4 3/4 in (© Fondazione Lucio Fontana, by SIAE 2017, courtesy Galerie … For more information on how you can join the AAM, please visit the Street Level Visitor Information Desk, inquire in the Shop, or call 970.925.8050. Closed. Lucio Fontana: Ceramics Installation view, Galerie Karsten Greve Cologne, 2020. “I am a sculptor, not a ceramicist,” Lucio Fontana declared (more than once) in his writings. His ceramics were an important part of his oeuvre and allowed him to … Ceramics painted with glaze colors dominated from 1936 when Fontana returned to figurative sculpture. Drususgasse 1-5 Cologne, 50667, Germany Mittwoch, 18. This first major survey of Lucio Fontana in the United States in more than forty years reexamines his career. The AAM’s exhibitions and programming are, Yoga & Mindfulness for Teens: Empowerment, Admission to the AAM is free courtesy of Amy and John Phelan. Ceramics Some modernist and contemporary artists, such as Fausto Melotti, Lucio Fontana, Nanni Valentini, Laura Letinsky, and Renato Bassoli, have approached ceramics from the full realm of art and created ceramic sculptures without regard to their functionality. Having returned to Italy in 1947, Fontana created his first works corresponding to his new conception of space as put into words for the first time in his theoretical treatise, Manifiesto Blanco. These ceramics are particularly fascinating as they allow Fontana’s spatial concept to be experienced in a sensual manner. Galerie Karsten Greve is delighted to present a solo exhibition featuring ceramics and works on paper by Lucio Fontana in Cologne. Ceramics Inspiration - Lucio Fontana Lucio Fontana Concetto spaziale (Spatial Concept) Vase, 1953 Terracotta, hight 50 x 28 cm Collection of A. Minola, Turin. Lucio Fontana was one such artist. Edited by Paolo Bonacina. From Il Ponte, Lucio Fontana, Madonna col Bambino (1950 -53), Polychrome glazed ceramic, 35 × 19 × 10 cm Lucio Fontana Foundation - Ceramics "Le Ceramiche - Ceramics (1949-1968)" This cycle includes ceramic and clay works produced after 1949 that have a specifically decorative or home-furnishing purpose (items such as plates, vases, small sculptures, handles and so on). While ostensibly figurative, with subject matter as varied as battle scenes and flowers, these expressive works gain a raw immediacy from Fontana’s vigorous hand modeling as the clay becomes a register of the artist’s process. If you love avant-garde art, you should definitely visit the solo exhibition Lucio Fontana: Ceramics at Galerie Karsten Greve Cologne. Authenticity ( dated 19.05.1970 ) sensual manner Ceramics are particularly fascinating as they allow Fontana ’ Cologne. Once ) in 1968 also prefigures the violence of the purity of the sculpture the... 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